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(Un)intentionally bad movies BESS MOVIES Burn this movie. Literally! Definitely see this movie I Want my Money Back It was aight Lists MUSIC REVIEWS Of course it sucked! ON THE TUBE Oscar nominees Overlooked Movies PODCASTS RETROSPECT REVIEWS See it if you really have to See this Movie See this movie before you die That shit cray! Worth a look You got snubbed, yo! YOU ON REL SHIT!!

BEERS, BEATS & BAILEY Season 5 YouTube Playlist

Continuing my long-overdue posting of YouTube-based excerpts and episodes of the BBB podcast, here’s the playlist for the fifth season, where you’ll find the most memorable reviews from each episode recorded in 2019. Highlights include the spoiler reviews of “Glass” and “Joker”,  “Nostalgia Critic’s The Wall: A Cautionary Tale” and “THE RISE OF SKYWALKER (SPOILER REVIEW) – and other things post-“The Force Awakens” Star Wars”.

As always, if you want to hear the episodes in full, you can find the Beers, Beats & Bailey podcast on Apple Podcasts, Stitcher, Castbox and Breaker. Enjoy!

 

Categories
BESS MOVIES BESS MUSIC Burn this movie. Literally! Definitely see this movie I Want my Money Back It was aight MOVIE REVIEWS MUSIC REVIEWS Of course it sucked! ON THE TUBE Oscar nominees Overlooked Movies PODCASTS RETROSPECT REVIEWS See it if you really have to See this Movie See this movie before you die That shit cray! Worth a look You got snubbed, yo! YOU ON REL SHIT!!

BEERS, BEATS & BAILEY Season 4 YouTube Playlist

For the fourth season of my podcast, I opted to split each episode as opposed to posting full episodes like I did for Seasons 1 to 3. The following YouTube playlist contains most, if not all (YouTube did remove at least one of my videos from it), of the movies, TV shows, albums and events my co-host Ricardo Medina and I have discussed in 2018. Of course, if you want to hear the episodes in full, you can find the Beers, Beats & Bailey podcast on Apple Podcasts, Stitcher, Castbox and Breaker. Enjoy!

 

Categories
BESS MOVIES BESS MUSIC Definitely see this movie I Want my Money Back MOVIE REVIEWS Of course it sucked! ON THE TUBE PODCASTS Rainy Day Movies See this movie before you die YOU ON REL SHIT!!

BBB SEASON 3 FINALE

 

In the first half of our final episode of Season 3 of the Beers, Beats & Bailey podcast, Ricardo Medina and I brave through Ricardo’s relatives’ Boxing Day get-together (especially dem kids) to count down the top 5 best beat tapes/instrumental albums, the top 5 EPs and top 17 albums of 2017 dedicated to hip-hop!

 

 

In the second half of our final episode of Season 3 of the Beers, Beats & Bailey podcast, Ricardo Medina and I share our picks for Best and Worst Movies of 2017, along with some Honourable Mentions, Dishonourable Mentions, Noble Failures, Movies we WISHED we saw in 2017, and our favourite TV shows for the year.

Categories
MOVIE REVIEWS PODCASTS

BBB S3E40 – DISNEY/FOX BUYOUT, THE END OF NET NEUTRALITY, REVIVAL (Album Review), I LOVE YOU, DADDY, A GHOST STORY, UNDERWORLD: BLOOD WARS, MR. ROBOT (Season 3), STAR WARS: THE LAST JEDI

In the first third of the penultimate episode of Beers, Beats & Bailey Season 3, Ricardo Medina and I talk about the recent Disney/ Twentieth Century Fox buyout, the official end of Net Neutrality and Eminem’s latest studio album – and easily his most divisive – “Revival”.

 

In the second third, Ricardo reviews the Louis C.K.-written-and-directed “I Love You, Daddy”, I review the critically-acclaimed “A Ghost Story” and we both review the critically-panned “Underworld: Blood Wars”.

 

In the final third, Ricardo reviews Season 3 of the cyber-thriller series “Mr. Robot”, and we share our thoughts on the sequel to 2015’s “Star Wars: The Force Awakens” – “The Last Jedi”.

 

Categories
MUSIC REVIEWS

EP REVIEW: Jake Eddy – Awake! (2020)


“Awake!” is the latest EP from West Virginia jazz guitarist/composer Jake Eddy. With musical support from his brother Carter (upright bass), Andrew Meyer (soprano sax), Ben Baker (bass clarinet), Cole Baker (drums) and Jason Crane (auxiliary percussion), this is a four-track suite that embodies the moods and emotions which constitute a large proportion of the human condition.

 

The opening track “Plea” starts off with light drums and twinkling percussion, as if the protagonist of “Awake!” is in the middle of, or waking up from, slumber. When the melancholic guitar and horns kick in, the music slowly increases in tension (subtly amplified by the bass), evoking a nightmarish sense of uncertainty and fear: a realization that death looms over the protagonist’s life.

 

The fearful tone of “Plea” evolves into anger and chaos on the next track “Incarnation”. Carter’s dramatic, strumming bass is periodically interrupted by loud barrages of the other instruments, as if the protagonist is undergoing a painful, metaphorical re-birth into, or harsh realization of his/her existence.

 

On “Presentation”, pain drastically changes into passion, or should I say purpose, as all six musicians present a panoramic, upbeat and more traditional-sounding jazz composition. Easily the most enjoyable track on the EP, one can imagine the protagonist living a fast-paced life to the absolute fullest, utilizing each and every second above ground and…. awake.

 

This enjoyment, however, is cut short (quite abruptly, which is the sole gripe – a very minor one, mind you – I have with the project, though thematically, it’s clearly intentional) on the final track “Exit” where time has run out on the protagonist’s day or life. Sleep or death has caught up with our hero, and the uncertainty and fear of “Plea”, along with its dark melodies, return.

 

If you’re a fan of jazz, preferably free and modal jazz (as I am), then you’ll thoroughly enjoy Jake Eddy’s “Awake!” This is a project that warrants multiple listens, thanks to its superbly-performed and arranged musical compositions, combined with its interpretative, existential themes of life, death and one’s place in the overarching universe we all belong to. Forgive the pun in advance, but definitely don’t sleep on this one!

 

 OVERALL RATING: Strong 4 out of 5 stars.

 

Categories
MUSIC REVIEWS

ALBUM REVIEW: Marvin Mayo – Are No Stars After All (2020)

“Are No Stars After All” is the debut album from Fairbanks, Alaska rapper/songwriter/producer Marvin Mayo. Consisting of 11 tracks performed, produced, mixed and mastered by Marvin himself, this is – according to his Bandcamp – a concept album “about a city, people and irresponsibility”. What struck me with the album description, however, was its first sentence: “An album inspired by ‘Breaking Bad’”.

 

In the pantheon of great TV shows, writer/director Vince Gilligan’s neo-western crime thriller “Breaking Bad” is (currently) the fourth-best I’ve ever seen (“The Twilight Zone”, “The Sopranos” and “The Wire” are my third, second and first-best, in case you were wondering). Like “The Wire”, “Breaking Bad” examined in a less-sprawling but still fascinating manner different sides of the drug trade. There were the manufacturers (Walter White and Jesse Pinkman, played by Bryan Cranston and Aaron Paul respectively) and the distributors who’ve all played a major part in the self-destruction of both characters.

 

But there’s also the drug addict – the central one being Jesse himself. Whilst working alongside Walter (the biggest irony being that he was his former chemistry teacher), Jesse sinks deeper into an abyss of drug abuse and irresponsibility over his own life. In the show’s second season, Jesse’s downward spiral is continually paused by his relationship with his neighbour Jane Margolis (Krysten Ritter), an on-again, off-again heroin addict. Unfortunately, Jane dies as a result of an overdose, leaving Jesse to re-enter his personal abyss, blaming himself for her death.

 

I mention this because while listening to “Are No Stars After All”, my mind kept going back to Jesse and Jane. And on this album, Marvin plays the role of a self-analytical Jesse-like character: a drug user and dealer in an undisclosed city who spends more time getting high than handling his own responsibilities. Priorities are usually pushed to the side or avoided altogether due to procrastination. Like “Breaking Bad”, a girl makes a strong impact in the central character’s life, forcing him to see things differently. However, will his life and the lives of those around him be affected for better or worse?

 

Marvin’s trip-hop, lo-fi production fits brilliantly with the album’s aesthetic. It presents a laid-back yet moody vibe with both a dark, downtempo melody and a bright, up-tempo melody within each instrumental. Whether it’s the glitchy melody placed above the dark bassline on the opening track “Friends S10 E18”, the smooth, club-like groove mixed with hazy synths on “Remain Oblivious” (one of my favourite tracks on the project) or the melancholy synth blended with the slightly upbeat tune on the album single “Luv Vs. Love”, there’s always a subtle contrast between two extremes: light and dark, safe and risky, high and low.

 

Marvin’s vocal delivery is quite unique as he delivers his rhymes in a free-associative, conversational-like manner. Combined with his production, Marvin immerses the listener into his mind state, as we hear him internalize and verbally express his hopes, dreams, doubts, regrets and, if you want to get a little religious, sins. It’ll be an acquired taste for some, but for me, the vocals fit perfectly with the darkness and irony of the album’s subject matter.

 

I say irony because, yes, “Are No Stars After All” is steeped in it. On “Friends S10 E18”, he says “ain’t no ‘friends in high places’ looking down on me unless they high with me/ I ain’t saying we ain’t friends but I trust no one else than the people that I don’t have to trust / Truthfully, I don’t trust anyone that I have to trust / And if I don’t have to trust you, I can trust you”. He constantly struggles with procrastination (“Devil Emoji”), yet remains focused on selling drugs and getting high (“Somersault”). He has dreams, but he’s not in a hurry to pursue them (“Dirty Scale”). His downward spiral is then cut short by a girl he falls in love with (“Remain Oblivious”), which leads to him comparing the high he feels by himself with that he feels with her (“4:43 A.M.”) – who, like Jane Margolis, is also a junkie. The relationship goes sour in the two successive tracks (“Dope Sick” and “Goldstream 4AM”) with Marvin chastising the girl for not saving him from his own addiction.

 

On “Was Just A Problem Dog”, Marvin raps from the perspective of a friend or loved one who’s also suffering from drug addiction, but acts as if everything’s alright. With the album’s climax “Luv vs. Love”, our anti-hero learns the errors of his ways, following what I assume was the death of the individual in the previous track, and vows to be a better man. But it’s the final song “Rounds” where we truly see the side-effects of his life-altering decision. Marvin may not be a drug user, but he’s still a drug seller. And much to the regret of the girl he loves, he spends little time with her for fear of getting her and himself back into drug abuse. The closing lines drive this point home: “You know I don’t really want to go / If I knew I would’ve never left you, don’t think I’d ever get to”.

 

In short, “Are No Stars After All” is a dark, dense, sarcastic and surprisingly profound look at the ignorance surrounding one’s addictions and the consequences that can easily develop from them. It’s far from an anti-drug PSA or a tension-filled episode of “Breaking Bad”, but it does offer immersive, head-nodding production and poetic, engaging vocals from its host. You don’t have to be a fan of the misadventures of Walter White and Jesse Pinkman to enjoy it, but if you’re looking for something different, entertaining and memorable as far as alternative hip-hop goes, this is a high recommendation!

 

OVERALL RATING: Decent to strong 4 out of 5 stars.

BESS TRACKS: Friends S10 E18, Somersault, Remain Oblivious, 4:43 AM, Luv Vs. Love, Rounds

LEAST BESS TRACK: Goldstream 4AM

 

 

Categories
MUSIC REVIEWS

ALBUM REVIEW: Cthekon – 2nd Nature (2020)

“2nd Nature” is the latest project from South Florida rapper Christian Santiago a.k.a. Cthekon (pronounced C-The-Kon) and a follow-up to his breakout 2014 mixtape “Recognize the Truth”. With production handled entirely by Airtime Division, “2nd Nature” is a 16-track affair, with its two guest performers – June B and Dope (a.k.a. Joni Waka) handling hook duties.

 

This album was my first introduction to Cthekon, and from his opening track, the appropriately-titled weed anthem “Smoke 1”, I found myself drawn towards his multi-syllabic lyrical style. As a fan of rappers who’ve used this style, like MF Doom, Elzhi, Pharoahe Monch and, of course, Eminem, I was hooked from the words “Roll up like a skateboarder / If she slips off the pole, hope my nuts don’t bust” onward.

 

As you may have gathered from that couplet, yes, there is a raunchy sense of humour on that track, and throughout the album as well. I wouldn’t consider it playful, but it does add character and personality to “2nd Nature”. On “Smoke 1” in particular, this humour ranges to downright ridiculous (“finding some cash in the bathroom to wipe my ass”) to “Okay, what just happened there?” territory (“Time out. Wait a minute. Hold up. Is that your car in the back of the tow truck? No, but…”).

 

Additionally, Cthekon has a knack for effortlessly flowing with the tempo and vibe of each instrumental allotted to him, whether it’s the piano-driven melody of “Smoke 1” or the energetic, hi-hat-stuttering beat of the title track. On “2nd Nature”, and on tracks in the second half of the album like “Tendency” and “Serious Skills”, Cthekon puts his lyrical prowess front and center for listeners to absorb and appreciate. One particular couplet on the third verse of “2nd Nature” truly sums up the mindset of Cthekon: “I’m a different breed, givin’ it to you willingly / Like even this can be an unconscious activity”. Why that couplet stood out to me personally is because I found Cthekon’s lyrical delivery to exhibit a stream-of-consciousness vibe to it, as if words are flowing freely from his subconscious to his mouth and eventually into your ears.

 

I was very impressed by the diversity of “2nd Nature” with regards to its subject matter. While you do get bangers like “Drinkerz” and “Tendency” (two of my favourite tracks on the album), hustler motivation joints like “I God It” and Goin’ n’ Goin’” and boastful songs like “Serious Skills” and the aforementioned “2nd Nature”, there are a few life motivation tracks like the laid-back, G-funk-esque “Faith”, the heavenly “M.O.M.” (Manifestation of a Miracle) and the futuristic, energetic “Back 2 the Future” (which, by the way, was a GREAT closer to the album).

 

What truly surprised me on the album were the ‘softer’ and ‘abstract’ cuts. We get four R&B-flavoured tracks, two of which have hooks provided by June B and Dope. “Work It”, which has both a smooth, sensual beat and a great hook from June B, is essentially Cthekon’s take on the classic T-Pain joint “I’m in Luv (with a Stripper)”, interjected with tons of charisma and bits of witty humour (“I’ll make you open up….no door key/ She was like “Lil C, you so dorky”). I do wish June had a bigger presence on the track (like some vocalizing, an outro or even a verse of his own), and I can say the same thing for Dope and his contribution on “Let’s Get Away”. On that track, we get two stories of sexual escapades involving Cthekon that – let’s just say – don’t play out the way you’d expect.

 

“Creep W/U” is straight-up, unabashedly all about Cthekon’s ‘bedroom skills’. I dug the slight Miami Bass throwback vibe to the instrumental, along with Cthekon’s double-time flows which instantly reminded me of Twista’s slow jams (like “Slow Jamz”, “So Sexy” and “Overnight Celebrity”) from his 2004 album “Kamikaze”. My favourite of the four tracks, however, was “Babiez”, with its playful beat, catchy-as-hell hook (“My baby. She want a baby. I give her babiez”) and risqué, hilarious and highly entertaining take on PROCREATION! Honestly, it’s not every day one hears a rap song about good, old-fashioned baby-making!

 

With regards to the experimental cuts (both of whom appear successively on the album) – “Wonderz” and “Operater” (no, that’s not a typo) – I can imagine them getting a divisive response from listeners. Oddly enough, I’m in the camp that actually appreciates these tracks for what they are and the uniqueness they add to “2nd Nature”. On “Wonderz”, Cthekon compares Mother Earth to the object of his affection, a beautiful woman. What we get is a metaphorically ‘carnal’ journey of Mother Earth, and while it does sound weird on paper, this concept is executed quite well. “Operater” is the more abstract of the two, as Cthekon’s lyricism takes on a more dense, stream-of-consciousness approach. The key to comprehending this track is the line that opens and closes the song (“The closest friends I ever had was my pen and pad”). On “Operater”, he channels his innermost thoughts and ideas through his pen and pad, as if they’re the only ‘individuals’ that can make sense of what he’s thinking. It’s quirky and weird – and quite memorable.

 

If I have one gripe with “2nd Nature”, it’s that there could have been more guest stars, particularly a rapper or two to provide a verse or at least add another voice to the album. Outside of that, this was a pretty solid and highly enjoyable record. Airtime Division’s beats were solid across the board and Cthekon delivers on each one with varying themes, appropriate levels of energy in his performances, and a seemingly relentless lyrical flow throughout the entire project. In short, this is an absolute must-listen!

 

OVERALL RATING: Light to decent 4 out of 5 stars.

BESS TRACKS: Smoke 1, 2nd Nature, Drinkerz, Faith, Work It, Operater, Goin’ n’ Goin’, Tendency, Serious Skills, Babiez, Back 2 the Future

LEAST BESS TRACK: Let’s Get Away